Helena Modjeska-Icon of Style. Reconstructions of XIX Century Costumes
Last updated on June 8th, 2024 at 11:09 am
- Helena Modjeska-Icon of Style.
- Helena Modjeska-The Exhibition!
- Reconstructions of Helena Modjeska Costumes
- Helena Modjeska Dress No1
- Helena Modjeska Dress No2
- Helena Modjeska Dress No3
- INSPIRATIONS
- The first prize in the category Inspirations was awarded to work by Klaudia Kukula, age 28
- Helena Modjeska Clothes No2
- Helena Modjeska Clothes No3
- HONOURABLE MENTION-HELENA MODJESKA
- SPECIAL PRIZE-HELENA MODJESKA EXHIBITION
- HONOURABLE MENTION
Helena Modjeska-Icon of Style.
Once a year, on the day of my birth, I like to indulge my senses, in a way, an act of regenerating, of reminding myself of who and what I am.
On one of these occasions, I was taken to Versailles by Mr de Merteuil, waking in the morning in a hotel that used to be the royal stables and spending the afternoon eating macaroons in le Petit Trianon, while watching wildlife drift by in the lazily setting sun.
This year it was spent at Wilanów Palace, the former residence of Polish Kings located on the outskirts of Warsaw, which I relished visiting for the opportunity to willfully gratify my taste for art, beauty and most importantly cake.
I take cakes very seriously, it’s an art form in its own right but it wasn’t the only reason for visiting the palace, as I wanted to see an exhibition that’s just opened there as it’s one that panders to another of my passions, 19th-century costume design.
Helena Modjeska-The Exhibition!
Titled ‘Helena Modjeska – Icon of Style’, the exhibition, like me being Gemini, has something of a split personality or at least comes in two parts. One half is devoted to recreations of costumes worn by the actress Helena Modjeska, while the other half focuses on a contest set for young enthusiasts of historical tailoring, to create a design inspired by her.
I’m sure you’re wondering who this Helena Modjeska is and why she deserves so much attention. Simply put, she was a Polish actress in the 19th century famed though-out Europe and America for the creativity and construction of her stage costumes, many of which she designed herself.
Well respected for her taste in fashion, she influenced the likes of famed English actresses Sarah Bernhardt and Lillie Langtry. She was also at the forefront of a trend to modernise stage costuming to bring it in line with 19th-century tastes.
So there you have it, a true Belle Époque woman, a fitting one to pay tribute to and to follow in the footsteps of. So I’m excited to share with you all my discoveries of her and of how fresh young designers have interpreted the designs that she wore.
Helena Modjeska in the title role in Dalila by Octave Feuillet, photo from the collection of the Theater Museum in Warsaw
Reconstructions of Helena Modjeska Costumes
Helena Modjeska Dress No1
The first prize in the category Reconstructions was awarded to work by Anna Franczyk
Helena Modjeska as Camille in The Lady of the Camellias by Alexandre Dumas
Replica of the costume for the role of Camille in The Lady of the Camellias by Alexander Dumas, designed by Anna Franczyk, age 26.
Undergarment designed by Anna Franczyk.
Helena Modjeska Dress No2
The second prize was awarded to work by Pawel Androsiuk
Helena Modjeska in the title role in Magda by Hermann Sudermann, photo from the collection of the Historical Museum of the City of Cracow.
Replica of the costume for the title role in Magda by Hermann Sudermann, designed by Pawel Androsiuk, age 17.
Undergarment designed by Pawel Androsiuk.
Helena Modjeska Dress No3
The third prize was awarded to work by Marek Zietka.
Helena Modjeska in the title role in Dalila by Octave Feuillet, a photo from the collection of the Theatre Museum in Warsaw.
Replica of the costume for the title role in Dalila by Octave Feuillet, designed by Marek Ziatek, age 17.
Undergarments designed by Marek Zietek.
Helena Modjeska as Cleopatra in Anthony and Cleopatra by William Shakespeare, photo from the collection of the State Archive in Piotrkow Trybunalski.
Replica of the costume for the role of Cleopatra in Antony and Cleopatra by William Shakespeare, designed by Agnieszka Kaszuba-Chojnacka, age 28.
The undergarment was designed by Agnieszka Kaszuba-Chojnacka.
Helena Modjeska-Icon of Style. Reconstructions of XIX-century costumes.
Helena Modjeska in the title role in Maria Stuart by Juliusz Slowacki, photo from the collection of the Theatre Museum in Warsaw.
Replica of the costume for the title role in Maria Stuart by Juliusz Slowacki, designed by Justyna Chruslicka, age 24.
The undergarment was designed by Justyna Chruslicka.
Helena Modjeska as Yolande in King Rene’s Daughter by Henrik Hertz, photo from the collection of the State Archive in Piotrkow Trybunalski.
Replica of the costume for the role of Yolande in King Rene’s Daughter by Henrik Hertz, designed by Natalia Stachura, age 23.
Helena Modjeska as Juliet in Romeo and Juliet by William Shakespeare, photo from the collection of Kris Cieply, California.
Replica of the costume for the role of Juliet in Romeo and Juliet by William Shakespeare, designed by Blanka Kozlowska, age 19.
Helena Modjeska in the title role in Barbara Radziwil by Alojzy Felinski, photo from the collection of Kris Cieply, California.
Replica of the costume for the title role in Barbara Radziwil by Alojzy Felinski, designed by Elzbieta Litwiniak. Work outside of the contest.
Helena Modjeska-Icon of Style. Reconstructions of XIX-century costumes.
INSPIRATIONS
The first prize in the category Inspirations was awarded to work by Klaudia Kukula, age 28
“I was inspired to make this design by a dress of Helena Modjeska from private photography. Out of love for all kinds of overprints, I have transferred the main motif on the fabric captured in the photo, which is a crane, on the dress-which is itself very simple in style, The dress is made of white and dark blue fabrics.
The white fabric is plain woven cotton and the contrasting dark blue fabric is a mix of polyacrylonitrile and wool, a heavy twill weave. The dress’s cut is simple. It is cut just below the breasts, its sleeves narrow with puffs.
The lower line of the dress from the front is shorter than on the back, There are three folds on the back. It does not have finishing in the form of the material turned back at the neck, sleeves or at the bottom. Fabric is protected from tearing by backstitching.
To make putting on the dress easier, I sewed a zip fastener into the side seam on the armpit-breast line. In the dark blue part of the dress, I sewed a polyester lining of the same colour. For overprint, I used a stencil. I used for fabrics covering paints, similar to those used in screen printing.”
Quote from the book “Helena Modjeska-Icon of Style. From distance to temptation”
Helena Modjeska- private photo, from the collection of Kris Cieply, California.
The outfit was designed by Klaudia Kukula, inspired by a private dress.
The picture I took at the exhibition.
Helena Modjeska Clothes No2
The second prize was awarded to work by Iga Sylwestrzak, age 24
“The design is characterized by a minimalistic, contemporary form of the dress, complemented by the geometrical transformation of detail coming from the photo that inspired me.
This detail in my design plays a leading role, it was also translated on the outfit’s form.” Quote from the book “Helena Modjeska-Icon of Style. From distance to temptation”
Modjeska with her husband Karol Chlapowski, photo from the collection of the Historical Museum of the City of Cracow.
Outfit inspired by private dress. Iga Sylwestrzak, age 24.
Helena Modjeska Clothes No3
The third prize was awarded to work by Daria Woszczatynska, age 23
“Set submitted to the contest comprises of red jacket and short, simple skirt. It is an outfit for a contemporary woman who admires and respects the achievements of Helena Modjeska.
Clothes with overprints of great artists’ faces are a common tribute to them, also in this design, the characteristic, expressive face of the great actress decorates the back of the jacket. It appears accompanied by red small balls made of fabric-red beads, “contemporary pearls”.
The red colour symbolizes the power of character and passion of Modjeska, I was also inspired to use it by the tradition that red was a beloved colour of Barbara Radziwill. Fabrics (jacquard and cotton)constitute a compromise and bridge between rather rich, memorable costume of the actress and requirements of contemporary fashion, allowing maximum utility of the outfit.”
Quote from the book “Helena Modjeska-Icon of Style. From distance to temptation”
Helena Modjeska in the title role in Barbara Radziwil by Alojzy Felinski, photo from the collection of Kris Cieply, California.
The outfit was designed by Daria Woszczatynska, inspired by the costume for the role in Barbara Radziwill by Alojzy Felinski.
HONOURABLE MENTION-HELENA MODJESKA
Justyna Helena Lasota, age 19
Outfit designed by Justyna Helena Lasota, inspired by the costume for the title role in Barbara Radziwill by Alojzy Felinski.
Helena Modjeska-Icon of Style Exhibition.
SPECIAL PRIZE-HELENA MODJESKA EXHIBITION
Klaudia Nikiel, age 18
Breathtaking outfit inspired by Helena Modjeska.
Wilanow Palace
HONOURABLE MENTION
Agata Zwirska, age 24
Helena Modjeska as Camille in The Lady of the Camellias by Alexandr Dumas, a photo from the collection of Kris Cieply, California.
Outfit designed by Agata Zwirska, inspired by the costume for the role of Camille in The Lady of the Camellias by Alexandre Dumas.
Michal Byra, age 17
Helena Modjeska as Juliet in Romeo and Juliet by William Shakespeare, photo from the collection of Kris Cieply, California.
Outfit designed by Michal Byra, inspired by the costume for the role of Juliet in Romeo and Juliet by William Shakespeare.
Beata Leszczynska, age 17
Helena Modjeska in the title role in Odette by Victorien Serdon, photos from the collection of Kris Cieply, California.
Outfit designed by Beata Leszczynska, inspired by the costume for the title role in Odette by Victorien Sardon.
Diep Nguyen, age 22
Helena Modjeska in the undermined role, photo from the collection of Kris Cieply California.
Outfit designed by Diep Nguyen, inspired by the costume for undermined role Studio photography: Olga Skoczylas.
My beautiful Darlings,
Which costume is your favourite one?