The Vintage Woman Magazine, a source of inspiration and practical advice for every vintage purist, has launched their website and I couldn't be more thrilled to introduce to you all, the talented team behind the project, which is already being referred to as "the vintage style bible." This wonderful new resource for us all in the vintage community comes to us courtesy ...
I’ve been dreaming about a 1930s kimono robe ever since I saw Marlene Dietrich wearing one in Shanghai Express. The 1931 visual masterpiece directed by Josef von Sternberg.
The breathtaking 1930s kimono robe you see me wearing in the pictures is one of my most cherished vintage pieces. It was a gift from Letia, the Queen of vintage kimonos herself, owner of Daggers and Dames, where you will find truly extraordinary vintage lingerie.
I remember opening the incredibly well-packed garment and immediately falling in love with the magnificent shade of teal. The kimono is made of silk crepe with floral lace panels throughout and what makes it really special for me, is that it’s adorned with hand-painted cranes. Very similar to the ones on Dietrich’s robes in the photographs above. It’s definitely the most dramatic dressing gown I’ve ever owned and it’s a piece I wouldn’t hesitate to wear on a red carpet.
Vintage inspired hair flowers and accessories from Shazam Pin Up Hair Flowers is what every vintage girl should have in abundance. I certainly do!
Janet Ewers, the creative genius behind Shazam Pin Up Hair Flowers, is a professional florist with 30 years of experience, which explains why her dazzling hair flowers look so realistic!
Today’s post, entitled Winter essentials for the vintage girl, is the follow-up to my “How to dress vintage when it’s cold” article from a few weeks ago.
Winter is a harsh mistress, making icicles of us all and sadly the vintage girl is not the exception. With the temperature dropping rapidly and way below my cold-threshold, I need to take extreme measures to stay warm. Not an easy thing to do without compromising my vintage look.
An all black vintage look might be just the right idea for those of you who are as fond of the colour black as I am.
It is also the perfect colour for anyone who is new to the world of vintage and at the stage of now contemplating the purchase of their very first vintage piece of clothing.
“You can wear black at any time. You can wear it at any age. You may wear it for almost any occasion; a ‘little black frock’ is essential to a woman’s wardrobe. “Christian Dior
Even though black is often used as a symbol of death, mourning as well as witches and magic, for me, it represents elegance, power and individuality. Also, as an old-school Goth, I’m rather thrilled that it’s associated with darkness and Victorian mourning attire. That also explains my fascination with XIX century funeral capes which I have in abundance. It’s the prefered attire colour of a Femme Fatale and if you are curious about her history in the 19th Century paintings, Film Noir and 1930s-1040s Fashion, I suggest you read my article on that very topic.
How to dress vintage when it’s cold is a nagging question I’ve been trying to find an answer to, for the past few years and I believe I’ve finally got it!
It’s all fine and dandy to wear your favourite vintage suit or slacks underneath a lightweight coat if the temperature in Autumn and Winter is mild. When it gets to – 5ºC however and you have a very low tolerance to cold, the idea of swapping your stylish boots for a pair of UGGs sounds better and better the colder it gets.
Staying warm without compromising vintage style can be rather tricky, but I have few ideas which might help my fellow vintage ladies. [Scroll down the page to find out more!]
"Old age ain't no place for sissies.” Beautiful Bette Davis as Margo Channing in All About Eve I heard someone say once that the 'beast' known as Hollywood forgives everything from a small indiscretion, to a huge scandal even a month at a Betty Ford clinic but not birthdays. This resonates so well with a quote attributed to the great Miss Bette ...
Orchard corset under vintage clothes! In the picture taken by Gregory Michael King I'm wearing a 1950s dress with the CS-201 Orchard Corset underneath. I’ve recently started my waist-training with the CS-201 corset, which was gifted to me by Orchard Corset, a brand that I’ve been desperately wanting to try for the past year but never thought I would have the patience ...
If someone told me a few years ago, that in their clairvoyant vision of my future they saw me wearing garments with leopard print, or any print for that matter, I would most likely come back with a malevolent response worthy of Dorothy Parker and members of the Algonquin Round Table. The reason for such a strong reaction to wearing anything that’s not black was that that the only other colour I would have ever considered was a darker shade of black.
I have a very vague recollection of when exactly and why I opened up to wearing a variety of colours such as red, green, purple and even pink but I do remember the discovery and instant love with leopard print, which was brought to me in a form of Dolce and Gabbana lingerie. A brand new world of stepping out of my comfort zone gave me the courage of experimenting with clothes, not only undergarment, I previously dismissed due to their patterns.
Joan Crawford inspired look
Partaking in my pleasure for being a dissolute designer of lists, if I was to name only five of my favourite movie stars of the 1930s and 1940s, it would have to be without doubt or hesitation; Bette Davis, Katharine Hepburn, Rita Hayworth, Marlene Dietrich and of course the Queen Bee herself, Joan Crawford who I’ve taken ample inspiration from for my latest look which should not be confused with me trying to be a copycat but rather seen as an Ode to an actresses who I’ve been fascinated with since the age of seven.
The queen of the silver screen once famously said “I never go outside unless I look like Joan Crawford the movie star. If you want to see the girl next door, go next door.” Always glamorous, known on and off the movie set for being a true perfectionist, with a distinctive style adorned and copied by fans all over the world. How powerful her influence on the public really was we learn from the August edition of Click magazine printed in 1938 “The greatest fashion influence in America, stylists now sadly admit, is the much-glamourized, much-imitated movie queen. What she wears is news, eagerly copied by girls all over country who want to look like Crawford or Loy. The most widely imitated star, Joan Crawford, started more girls wearing kerchiefs for hats.” Which almost ruined the $250,000,000 millinery business.
Mixing vintage fashion with contemporary designers
More and more often, I’m being asked by readers for tricks on how to mix vintage pieces from the 1920s to 1950s with those of contemporary designers. The thinking behind this, being to avoid looking too costumy or like an extra from Miss Fisher’s Murder Mysteries. Not that there’s anything wrong with looking liked you’ve just stepped out from a scene, playing the part of a murderess in Miss Fisher, I would almost be willing to sell out Mr de Merteuil to medical experimentation for such a privileged opportunity, as I’d very much to be fighting crime in a 1920s couture gown along with the glamorous Miss Fisher. Back to the topic at hand however, the answer to the question is very simple, take one garment at a time.
Sultry Vintage shop of the week is one of those magical places where you will always find something that will be the perfect addition to your vintage wardrobe. Even if you already have two dozen 1940s day dresses or in my case velvet boleros, Lauren, the lady behind Sultry Vintage, constantly adds irresistible new pieces to her Etsy shop and you ...