Christian Dior is undoubtedly one of my favourite Haute Couture designers of the 1940s and 1950s. His spring collection of 1947 will forever be known as The New Look, a name attributed to Carmel Snow, the Editor in Chief of Harper’s Bazaar, as it was she who said at the end of Dior’s first collection “It’s quite a revolution, dear Christian! Your dresses have such a new look!” Full skirts in sumptuous fabrics, perfectly tailored, fitted jackets creating the illusion of tiny wasp-like waist is definitely my ideal of beauty and female sensuality as well as sexuality. To me Dior’s creations from that era will always be synonymous with the perfect silhouette and immaculate workmanship so apparent in the tailoring of al his glorious designs. The opinion that was clearly shared by Australians as in the spring of 1948 David Jones, a department store in Sydney, organised a fashion parade of fifty Christian Dior creations, the first complete Dior collection to be shown outside Paris. So it comes as no surprise that 70 years later the National Gallery of Victoria in Melbourne, Australia hosted an exhibition entitled The House of Dior: Seventy Years Of Haute Couture.